I almost never want to leave the street
where my dream is taking place, but things
move fast so I can’t linger. The other night
I was in Butte (I think) and everything
was Irish, St. Patrick this and Brigid that,
mint green signs and throbbing drums and drunk guys
and a sense that things were turning dangerous
and I was walking, not driving, down a very narrow street.
That’s it. That was the end. I wasn’t afraid.
A man I know who lost a tooth in Butte
(for real) has cancer. I dreamed about him last night.
A gallery show, collages of himself, most naked,
which he called “The Ravager_________.” Next to the cheese tray,
he was selling tiny brown cloverleafs he’d crocheted.
Posted in Bloem or Pog, Car Sonnets, Color of the Month, Creativity, Dream Songs, Mindful Driving, Montana, Places, Poetry, Poetry journal, Uncategorized
Tagged Butte, dreams, dreamscape, poems, poetry, sonnet, sonnets
My family said I’d lost about two months
when I called to say I’d popped back up in time.
They were, in my opinion, a little too calm
about my reappearance. In their defense,
they’d gotten several calls from other mes
from other times. I hadn’t made it home
to them on any of those other times.
I set out, offering up a tiny “please.”
I can’t stop seeing my original descent,
a fall, as from a plane, no chute, convinced
I was about to die. Somehow I didn’t.
Wind held me up. Or magnets. Or just friction.
In any case, the grass I landed on
was softer than I can describe. Softer than
My cat, Callie, wondering if I’m going to kick her off the back porch, out of the dirty clothes. Not yet.
I love sleeping. I love dreaming. I love my dreamscapes. I love writing sonnets. I love Berryman’s dream songs. So–let’s see how many of these I can write? And how long will it take Callie to sleep so I can take a second picture, illustrating sleep?
Posted in Dream Songs, Poetry, Uncategorized
Tagged dream, dream song, Dream Songs, dreams, dreamsongs, poem, poetry, sleep, sonnet
What if the Little Drummer Boy grew up
to be Big Drummer Man, a butcher perhaps,
with skins aplenty to manhandle across the tops
of barrels and pots and one precious little cup
that someone drank some special wine out of,
(Jesus maybe, yes, that’s who it was),
so that all along the Via Dolorosa,
every single, sorrowful step, there rose a
tattoo (the skin kind is the second definition,
thank you very much), a pummeled out
percussion code, spelling with every beat
not “inadequacy,” but “indignation,
causing Mary to nod to the beat and from
up high the grown-up baby smiled at him?
I know the little drummer boy did his thing in Bethlehem, not Jerusalem, but hear me out–any kid who plays a drum for a baby isn’t going to just GO AWAY, especially not after mother and child both encouraged him. I figure he stuck around and made a nuisance of himself, kept in touch, essentially stalked the holy family, drumming the whole time, and I picture them feeling about him the way I feel about the song–partly charmed, partly annoyed.
Not happy yet with the title. I considered these:
OK WHAT WISE GUY PUT A CROWN OF THORNS IN THE MANGER
WE CAN’T HELP SEEING A CROWN OF THORNS IN THE MANGER
ON THE HEAD OF THE BABY IN THE MANGER LIES A CROWN OF THORNS
HEY DRUMMER BOY I CAN SEE YOUR HOUSE FROM HERE
CHRISTMAS IS SALT, EASTER IS PEPPER
Attention, please–both from and to the very best
of audiences any company could ever hope
to play to, so we hear–that cellophane
you’re crinkling deci-bells itself far, far beyond
your little ears–and also, when the music starts,
post-intermission but before the actors
reappear, that’s not your cue to talk
a little louder–no, it means shut up.
What’s more–I could go on. I won’t. It’s just–
we’re so lucky that it feels routine.
Each night they crank up the volcano, test
the atom bomb, make love from paper, walk
a cobweb tightrope, grow trees from lowly beans….
We’re privy to it all, all summer, face to face.
There is more than routine magic in this place.
American Players Theatre on a moony night.
This is the last weekend for up-the-hill shows at American Players Theatre and for most of the shows in the Touchstone Theater. A Doll’s House, Part 2 begins later this month and runs through the middle of November–I’m super excited to see it.
It was a fantastic season and I’m so happy it’s not quite done.
The first bit of that very nonce-y sonnet up there–that’s me being crabby. I’m more and more comfortable being crabby. And then the sestet–that’s me being appreciative. Which I’m also more and more comfortable being.
So lucky to live down the road from this routinely magical spot.
Posted in American Players Theatre, Authenticity, Bloem or Pog, Hot Take Poem, On Wisconsin, Poetry, Poetry journal, Spring Green, Uncategorized
Tagged American Players Theatre, poetry, sonnet
There once was a trope so wrongheaded, I’ve never forgotten
how fetid: “a woman’s period,” (the very young man said)
“the falling ash at the end of a lit cigar.”
The women in the class (of course it was a class)
said together like a chorus, “no,
no, no, it’s nothing like that, not at all.”
And now we’re grown up and now we’re grown old
and where is he now, that redhead?
In the bar where the mermaids wait tables, an old man
leaves a tip on a napkin: “You would be so much prettier
if you smiled more.” He looks less at her face than her ass
and at home he writes poems about “how her titties are
shooting out her shirt like two cannon balls.”
No one needs to read it to think “not at all.”
Just killing time before a movie–there was a Twitter exchange about dirty old man poems & I was inspired. (The title relates to the Twitter exchange.)
The braille of my hives reads “nettles,” which
I’ve tackled just in time this spring, instead
of waiting until they’re taller than my head.
I should cook them up but won’t. There is so much
I am not doing with this gift of time
that was stolen just today from a woman younger
than me with children younger than mine. Also, her
good words reached farther and did more work than mine.
In this specific grief so far, what have I learned?
The God we prayed to didn’t grant our prayers.
Some plants protect themselves–beware. Beware–
female stinging nettles produce more stinging hairs.
I see pain and possibility everywhere.
“O death where is thy sting?” Right fucking here.
Rachel Held Evans, a writer I admired and learned from so much, has died. She was one of my favorite thinkers on Twitter and I appreciated her blog posts and books. I never met her. I never said “I think you’re great,” not even in a tweet. So there’s this sadness, in proportion to how much she occupied my brain and engaged my heart, and there are so many others hurting so much more.
What else can I say except–read her if you haven’t already. And we all need to understand what she said in her last blog post:
“It strikes me today that the liturgy of Ash Wednesday teaches something that nearly everyone can agree on. Whether you are part of a church or not, whether you believe today or your doubt, whether you are a Christian or an atheist or an agnostic or a so-called ‘none’ (whose faith experiences far transcend the limits of that label) you know this truth deep in your bones: ‘Remember that you are dust and to dust you will return.’
Death is a part of life.
My prayer for you this season is that you make time to celebrate that reality, and to grieve that reality, and that you will know you are not alone.
Ashes to ashes, dust to dust.”
darkness and light and pain and pleasure
(At some point, I will be more in the mood to celebrate her life. Right now, I am grieved and angry, and I feel confident she would support my feeling of my feelings.)
Posted in Authenticity, Bloem or Pog, Folks I Loves, God Stuff, Hot Take Poem, Poetry, Poetry journal, Searching
Tagged grief, poetry, Rachel Held Evans, sonnet, stinging nettles
The snow’s off-white, the house is white, the sky
is pewter-gray, the buggy’s black, and also black:
the horses and most of the laundry on the line
except for a little rose and green and one kind
of blue so patently Amish it should be called that.
Oh, and the underwear, the private flying
proudly in the open, nothing white,
just various degrees of beige that look like linen
sails billowing, contrasting very slightly
with the piles of dirty snow they’ve shoved aside,
the temporary patio furniture of winter
the children might jump off of when there’s time,
when they’re not hard at work or cutting a slice
down the shoulder of the road: when it’s ice
I’ve heard they skate there but I
have only ever seen them standing by
their parents or in a circle outside
what I think is a school where they were either
playing or getting ready to fight,
which I know they aren’t supposed to do. So why
did it look so menacing, the four or five
boys I saw, closing in on another child
as I drove by, that’s what I do, I drive on by,
that’s what we do out here, the road signs
with the graphic horse and buggy trying
to tell us slow down, watch out, use your eyes,
because the next hill you’ll go over is blind
and you won’t see them until you’re right
on top of them, a whole family on your right
with bright specks of color but mostly wearing night.
This month I’m trying to hunt for green as I drive–I’m considering it mindful driving. One of the shades of green I see on Mondays when I’m driving to Kickapoo High School, as I drive through Amish Country, is the occasional green shirt on the clotheslines of Amish families–close to the shade above. The laundry on the line is mostly black and beige. But some blue and green and a shade of kind of rosy-plum.
Posted in Bloem or Pog, Car Sonnets, Color of the Month, Mindful Driving, mindfulness, On Wisconsin, Poetry, Poetry journal, Uncategorized
Tagged Amish country, Color of the Month, double sonnet, Mindful Driving, mindfulness, poetry, sonnet, sonnets