Category Archives: Bloem or Pog

Shantung Time

How will we say we’re less vulnerable
Without being vulnerable? “Oh, we don’t
DO that anymore,” we’ll say, when someone shares
A little too much because all sharing
Has become oversharing, other than strategies
For getting stains out of the shantung
Pillow covers and the shantung pencil skirts
And the shantung drapes, because yes,
We are moving to a time of nubbly silk
And charmeuse and chiffon and brocade,
The 2050s, what we’re longing for,
Not there yet, but it’s coming,
A time when outside the gates there’s chaos
But inside the walls there’s harmony
And quietude and busy, humming bees,
All dearly bought and all we have to lose
To get there is our urge for authenticity.

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Shantung skirt and jacket

“Dräktjacka” by Mölndals stadsmuseum is licensed under CC BY 4.0

Dream Song #3

Does cultural appropriation demand intent?
What if what I did was only in a dream?
I watched an eagle landing on a chicken

over and over and over again.
It was some kind of Native American thing.
Does cultural appropriation demand intent?

I decided I should weave feathers into a crown.
It looked like a massacre, but there was no harm
done by the eagle to the chicken.

We started singing, loud, “C’mon
Let me see you shake your tailfeather.”
Does cultural appropriation demand intent?

We were being assholes, absolutely stomping
around, not caring. We didn’t belong there.
Could you watch an eagle groom a chicken

and not wake up laughing like I did?
Is it my fault I summoned John Lee Hooker?
Does cultural appropriation demand intent?
I am sorry. For the singing and the laughing. And the eagle. And the chicken.

_____

I feel like my subconscious is a mess.

Dream Song #2

I almost never want to leave the street
where my dream is taking place, but things
move fast so I can’t linger. The other night
I was in Butte (I think) and everything
was Irish, St. Patrick this and Brigid that,
mint green signs and throbbing drums and drunk guys
and a sense that things were turning dangerous
and I was walking, not driving, down a very narrow street.
That’s it. That was the end. I wasn’t afraid.
A man I know who lost a tooth in Butte
(for real) has cancer. I dreamed about him last night.
A gallery show, collages of himself, most naked,
which he called “The Ravager_________.” Next to the cheese tray,
he was selling tiny brown cloverleafs he’d crocheted.

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Big Drummer Man

What if the Little Drummer Boy grew up
to be Big Drummer Man, a butcher perhaps,
with skins aplenty to manhandle across the tops
of barrels and pots and one precious little cup
that someone drank some special wine out of,
(Jesus maybe, yes, that’s who it was),
so that all along the Via Dolorosa,
every single, sorrowful step, there rose a
tattoo (the skin kind is the second definition,
thank you very much), a pummeled out
percussion code, spelling with every beat
not “inadequacy,” but “indignation,
causing Mary to nod to the beat and from
up high the grown-up baby smiled at him?

I know the little drummer boy did his thing in Bethlehem, not Jerusalem, but hear me out–any kid who plays a drum for a baby isn’t going to just GO AWAY, especially not after mother and child both encouraged him. I figure he stuck around and made a nuisance of himself, kept in touch, essentially stalked the holy family, drumming the whole time, and I picture them feeling about him the way I feel about the song–partly charmed, partly annoyed.

Not happy yet with the title. I considered these:

OK WHAT WISE GUY PUT A CROWN OF THORNS IN THE MANGER

WE CAN’T HELP SEEING A CROWN OF THORNS IN THE MANGER

ON THE HEAD OF THE BABY IN THE MANGER LIES A CROWN OF THORNS

HEY DRUMMER BOY I CAN SEE YOUR HOUSE FROM HERE

CHRISTMAS IS SALT, EASTER IS PEPPER

Routine Magic

Attention, please–both from and to the very best
of audiences any company could ever hope
to play to, so we hear–that cellophane
you’re crinkling deci-bells itself far, far beyond
your little ears–and also, when the music starts,
post-intermission but before the actors
reappear, that’s not your cue to talk
a little louder–no, it means shut up.
What’s more–I could go on. I won’t. It’s just–
we’re so lucky that it feels routine.
Each night they crank up the volcano, test
the atom bomb, make love from paper, walk
a cobweb tightrope, grow trees from lowly beans….
We’re privy to it all, all summer, face to face.
There is more than routine magic in this place.

picture of lit path with nearly-full moon

American Players Theatre on a moony night.

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This is the last weekend for up-the-hill shows at American Players Theatre and for most of the shows in the Touchstone Theater. A Doll’s House, Part 2 begins later this month and runs through the middle of November–I’m super excited to see it.

It was a fantastic season and I’m so happy it’s not quite done.

The first bit of that very nonce-y sonnet up there–that’s me being crabby. I’m more and more comfortable being crabby. And then the sestet–that’s me being appreciative. Which I’m also more and more comfortable being.

So lucky to live down the road from this routinely magical spot.

Everything.

Like when there’s a good-looking man on a tractor
driving on the shoulder and he’s bouncing
because it’s an old tractor, a Farmall, the best kind—
before I got up to him, he was in silhouette, all black
because the sun behind us was orange and pink, a peach,
the whole sky was a peach, the sun a bright red frisbee,
on probably the last truly muggy day of the year,
the last day of September, before the cold in October—
I’m telling you it was hot and he was hot and I was hot.
Everything was on fire—that’s what it was like.
What? What was like that? Everything.

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Garage Sale Liver Disease–a tiara of sonnets

Day 1
We were running anxiously, ridiculously late in the dream
I had right before I woke up this morning. At first
I was driving and realized I was taking the scenic route—
I go that way a lot when I’m asleep—
and then I was on my bike and completely lost track
of where the sidewalk was and all the sudden
I was inside a hospital. I couldn’t find my way back
at first and by the time I did, it was noon….
In real life, this morning, we started right at 8:00
to a flurry of people looking for cameras and toys,
of which, of which, of which we have a great,
vast really, trove; along with other…joys (?)
just waiting to be yours, all priced to sell,
and so much more we’ll be bringing out as well.

Day 2
There’s so much more to bring out, but it’s just as well
the sale ends tomorrow. Even though
we have enough to hold a goddam sale
every weekend from now until…who knows?
I’m fond of saying we are just one half
a matchbook collection away from being an episode
of Hoarders. This sale has pulled us safely back
from the brink. A house can only hold so much.
A house is like a liver. Everything
goes through and if you have too much of everything,
production slows. Deposits accumulate.
“Fatty liver.” A disease I have. A name I hate.
With virtuous living, it can be reversed.
What happens to an abused liver? Does it burst?

Day 3
What happens to an abused liver? Does it burst?
The sheath around it a shoe that pinches.
My liver gets uncomfortable. It hurts.
My ability to overindulge is diminished.
All those years of “Yes, I’ll have another,”
of thinking, saying, “too much is just enough.”
My body’s damaged. My house is still too full of stuff.
Less and less is the way I’ll recover.

“Well, no, I won’t take $10 for that. $15.
No lower. I’d rather give it to St. Vinny’s for free.”
“I’m sorry, no, we didn’t end up bringing out
any CDs or DVDs. Yes, those are all the tools we’ve got.”

We did the best we could. It wasn’t great.
As always, we were running anxiously, ridiculously late.
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