Dream Song #3

Does cultural appropriation demand intent?
What if what I did was only in a dream?
I watched an eagle landing on a chicken

over and over and over again.
It was some kind of Native American thing.
Does cultural appropriation demand intent?

I decided I should weave feathers into a crown.
It looked like a massacre, but there was no harm
done by the eagle to the chicken.

We started singing, loud, “C’mon
Let me see you shake your tailfeather.”
Does cultural appropriation demand intent?

We were being assholes, absolutely stomping
around, not caring. We didn’t belong there.
Could you watch an eagle groom a chicken

and not wake up laughing like I did?
Is it my fault I summoned John Lee Hooker?
Does cultural appropriation demand intent?
I am sorry. For the singing and the laughing. And the eagle. And the chicken.

_____

I feel like my subconscious is a mess.

Dream Song #2

I almost never want to leave the street
where my dream is taking place, but things
move fast so I can’t linger. The other night
I was in Butte (I think) and everything
was Irish, St. Patrick this and Brigid that,
mint green signs and throbbing drums and drunk guys
and a sense that things were turning dangerous
and I was walking, not driving, down a very narrow street.
That’s it. That was the end. I wasn’t afraid.
A man I know who lost a tooth in Butte
(for real) has cancer. I dreamed about him last night.
A gallery show, collages of himself, most naked,
which he called “The Ravager_________.” Next to the cheese tray,
he was selling tiny brown cloverleafs he’d crocheted.

_____

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Dream Song #1

My family said I’d lost about two months
when I called to say I’d popped back up in time.
They were, in my opinion, a little too calm
about my reappearance. In their defense,
they’d gotten several calls from other mes
from other times. I hadn’t made it home
to them on any of those other times.
I set out, offering up a tiny “please.”
I can’t stop seeing my original descent,
a fall, as from a plane, no chute, convinced
I was about to die. Somehow I didn’t.
Wind held me up. Or magnets. Or just friction.
In any case, the grass I landed on
was softer than I can describe. Softer than

_____

My cat, Callie, wondering if I’m going to kick her off the back porch, out of the dirty clothes. Not yet.

I love sleeping. I love dreaming. I love my dreamscapes. I love writing sonnets. I love Berryman’s dream songs. So–let’s see how many of these I can write? And how long will it take Callie to sleep so I can take a second picture, illustrating sleep?

Big Drummer Man

What if the Little Drummer Boy grew up
to be Big Drummer Man, a butcher perhaps,
with skins aplenty to manhandle across the tops
of barrels and pots and one precious little cup
that someone drank some special wine out of,
(Jesus maybe, yes, that’s who it was),
so that all along the Via Dolorosa,
every single, sorrowful step, there rose a
tattoo (the skin kind is the second definition,
thank you very much), a pummeled out
percussion code, spelling with every beat
not “inadequacy,” but “indignation,
causing Mary to nod to the beat and from
up high the grown-up baby smiled at him?

I know the little drummer boy did his thing in Bethlehem, not Jerusalem, but hear me out–any kid who plays a drum for a baby isn’t going to just GO AWAY, especially not after mother and child both encouraged him. I figure he stuck around and made a nuisance of himself, kept in touch, essentially stalked the holy family, drumming the whole time, and I picture them feeling about him the way I feel about the song–partly charmed, partly annoyed.

Not happy yet with the title. I considered these:

OK WHAT WISE GUY PUT A CROWN OF THORNS IN THE MANGER

WE CAN’T HELP SEEING A CROWN OF THORNS IN THE MANGER

ON THE HEAD OF THE BABY IN THE MANGER LIES A CROWN OF THORNS

HEY DRUMMER BOY I CAN SEE YOUR HOUSE FROM HERE

CHRISTMAS IS SALT, EASTER IS PEPPER

Behind. Alive. So Bright.

New snow and hoar frost and every cliché
about crystals and diamonds and stars—
my commute the other morning was bright
while my mood was altogether grim, standard
mid-semester stew of “I am so far behind”
with big chunks of “I live in squalor” and
an extra soupçon of regret. Remonstrance
aplenty as I set out for work and yet
those damn sparkles everywhere,
especially on the red blackberry canes,
and I won’t say the grimness diminished,
but I played like each spot of silver
shining in the morning sun was one more thing
I needed to do that wasn’t yet done
and honestly I’ve never felt more alive.
_____
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The snow, thankfully, is mostly gone. But the bottles in my garden are glowing.

Routine Magic

Attention, please–both from and to the very best
of audiences any company could ever hope
to play to, so we hear–that cellophane
you’re crinkling deci-bells itself far, far beyond
your little ears–and also, when the music starts,
post-intermission but before the actors
reappear, that’s not your cue to talk
a little louder–no, it means shut up.
What’s more–I could go on. I won’t. It’s just–
we’re so lucky that it feels routine.
Each night they crank up the volcano, test
the atom bomb, make love from paper, walk
a cobweb tightrope, grow trees from lowly beans….
We’re privy to it all, all summer, face to face.
There is more than routine magic in this place.

picture of lit path with nearly-full moon

American Players Theatre on a moony night.

_____
This is the last weekend for up-the-hill shows at American Players Theatre and for most of the shows in the Touchstone Theater. A Doll’s House, Part 2 begins later this month and runs through the middle of November–I’m super excited to see it.

It was a fantastic season and I’m so happy it’s not quite done.

The first bit of that very nonce-y sonnet up there–that’s me being crabby. I’m more and more comfortable being crabby. And then the sestet–that’s me being appreciative. Which I’m also more and more comfortable being.

So lucky to live down the road from this routinely magical spot.

Everything.

Like when there’s a good-looking man on a tractor
driving on the shoulder and he’s bouncing
because it’s an old tractor, a Farmall, the best kind—
before I got up to him, he was in silhouette, all black
because the sun behind us was orange and pink, a peach,
the whole sky was a peach, the sun a bright red frisbee,
on probably the last truly muggy day of the year,
the last day of September, before the cold in October—
I’m telling you it was hot and he was hot and I was hot.
Everything was on fire—that’s what it was like.
What? What was like that? Everything.

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